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Aug 19, 2019
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This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Lena Dunham’s ‘Good Sex’ to Stream on Netflix; Director Says Film “Doesn’t Need Theaters”

July 13, 2025 Jordan Ruimy

So, Lena Dunham is currently shooting “Good Sex,” with Natalie Portman in the lead role. The “Girls” creator is calling it a “romantic comedy,” which she wrote and is directing for Netflix.

This one’s a big swing: $55M big — that’s reportedly what Netflix shelled out for the project, which boasts an ensemble that includes Portman, Meg Ryan, Mark Ruffalo, and Rashida Jones.

Portman plays the lead, in a film centered around modern intimacy and the messiness of adult relationships. However, don’t expect a theatrical release. Dunham is perfectly fine with the streaming-first route, via Variety: “I really just want people to sit on a couch with their moms and their besties and lean in.”

She added that the theatrical-vs-streaming debate isn’t one she feels the need to wade into: “I love watching other filmmakers fight for the theatrical-release element — but I don’t think this will live or die by that.”

Though a release date hasn’t been locked in, Netflix is reportedly eyeing a 2026 rollout. The film also marks the acting debut of Tucker Pillsbury (aka indie-pop musician Role Model), who Dunham discovered on her “shadow” TikTok account. She likens his screen presence to a young Brad Pitt in “Thelma & Louise.”

Back in March, Netflix won the bidding war for “Good Sex,” closing in on a global rights deal that topped out at a staggering $55M — one of the biggest payouts for a rom-com, maybe ever.

The bidding had hovered around $45M, but Netflix overpaid to edge out theatrical-heavy contenders like Warner Bros., Amazon, and Apple. Given Netflix’s all-in approach to direct-to-streaming, they had to sweeten the pot — and they did.

With Netflix betting big, “Good Sex” could end up being Dunham’s most broadly accessible — and ironically, most personal — work yet. Whether it finds an audience beyond the “moms and besties” couch crowd? That’s the $55M question.

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