There’s been a steady, low-key buzz surrounding Phil Lord and Chris Miller’s “Project Hail Mary,” the upcoming sci-fi film from Amazon/MGM that stars Ryan Gosling and is based on Andy Weir’s bestselling novel.
That buzz got significantly louder after a few minutes of footage premiered at this year’s CinemaCon — but what’s really turning heads now is the reaction from a recent West Coast test screening, which appears to have left audiences more than just impressed.
‘Hail Mary’ wrapped its five-month shoot back in October 2024. The big-budget space epic, starring Gosling and Sandra Hüller, adapts Andy Weir’s best-selling novel about a lone science teacher (Gosling) sent on a desperate space mission to save a dying Earth.
Drew Goddard — who previously earned an Oscar nomination for adapting Weir’s “The Martian” — penned the script. The film has been in the works since early 2020, when Weir sold the rights to MGM for a reported $3 million.
This marks Lord and Miller’s first time directing a feature since their infamous departure from “Solo: A Star Wars Story” back in 2017. Their last completed directorial effort remains “22 Jump Street” (2014), though they’ve remained busy on the producing and writing front with projects like “Spider-Man: Across the Spider-Verse” and “The LEGO Movie 2.”
According to a source who attended the ‘Hail Mary’ test screening, the film is drawing early comparisons to high-minded, emotionally resonant science fiction like “Arrival,” and “Interstellar” — the kind of sci-fi that plays just as well with awards voters as it does with general audiences.
That same source pointed out that Gosling delivers one of his most emotionally engaging performances in recent memory, with the film finding the kind of grounded human emotion beneath its spectacle that elevates it beyond a standard space thriller.
This kind of reaction is particularly intriguing given the film’s current placement on the release calendar — March 2026 — which isn’t typically associated with serious awards hopefuls. But what’s raising eyebrows even more is the reportedly advanced state of the near 3-hour cut shown at the test screening.
Unlike most films this far from release, which tend to still be deep in post-production and shown in rough form during tests, “Project Hail Mary” was said to look nearly finished. Visual effects appeared close to final, the cinematography was described as “crisp and cinematic,” and the pacing already felt “locked in.” All of this strongly suggests that the studio is much further along than it’s publicly letting on.
That polish has led to speculation that a strategic shift to the awards corridor later in 2025 — perhaps the holiday season — might be in the cards. Amazon MGM could be keeping its options open, waiting to see if the word-of-mouth continues to build before officially repositioning it for a potential Oscar run.
While it’s still early, if the response from additional screenings continues on this path, “Project Hail Mary” could quietly transform from a mid-season sci-fi release into one of the year’s major cinematic events.