With ‘Horizon—Chapter 2’ still unreleased, and Costner still looking for money to film the last two instalments, there’s only one possible solution left here: Netflix should pick up the entire Horizon saga.

A24 outbid competitors including Neon, 20th Century Studios, and Netflix—despite Netflix making a competitive offer. However, Netflix’s proposal reportedly lacked a theatrical release.

It almost never happens that a newly released film changes its title just days after hitting theaters, but desperate times seem to call for desperate measures.

Newly published UK tax filings have revealed that “Jurassic World: Dominion” holds the title of the most expensive film ever produced.

David O. Russell is on board to direct, “Shutout,” a new film centered on the world of pool hustling, with Robert De Niro and Jenna Ortega set to star. The project is generating strong interest ahead of the Cannes market.

Feige plays a central role in shaping each film, deeply involving himself in the creative process—frequently stepping in to rework scenes or add new ones when needed.

“Highest 2 Lowest,” which will world premiere at Cannes on May 19, is 2 hours and 12 minutes, will be released theatrically on August 22, and is set to stream on September 5 via Apple TV+

Alejandro Gonzalez Iñárritu’s tentatively titled “Judy” has finally wrapped production in London’s Pinewood Studios — in fact that’s the only location where shooting has taken place these last seven months.

One of our most anticipated films of the summer is Joseph Kosinski’s ”F1,” which according to AMC clocks in at an ambitious 150 minutes. It’ll be one of the lengthier major studio movies of the summer.

Bella Ramsey has been offered, and is interested in the lead role of Joan of Arc. Ramsey is of course known for HBO’s “The “Last of Us,” and “Game of Thrones.”

It’s interesting that positive reviews and strong audience scores haven’t made much of a difference for “Thunderbolts.” It has been projected to hit $75M since pre-sales began.

Turns out that Greta Gerwig’s “Narnia: The Magician’s Nephew” is being shot in VistaVision and 35mm. That’s what cinematographer Seamus McGarvey recently told The Filmmaker’s Podcast.

Ari Aster’s upcoming film, “Eddington,” looks set to continue his streak of lengthy features. With a runtime of 148 minutes, it marks yet another ambitious outing from the filmmaker.

James Cameron has spent the past 20 years deeply involved with the ‘Avatar’ franchise, but he remains committed to eventually moving forward with “Ghosts of Hiroshima.”

Just nine months after the movie became the highest-grossing R-rated film ever, Reynolds is back at it. Turns out, even when he says he’s stepping back, he’s still very much in the game.

There’s clearly some major reshuffling going on when it comes to Maggie Gyllenhaal’s “The Bride,” which could explain why it got its release pushed to 2026.

The yet-unnamed thriller is currently idling in development at Amazon MGM Studios, with Noah Oppenheim (”Jackie”). Details about the plot are being held tighter than a detonator in a moving vehicle.

Keeping a close eye on how well the latest Marvel extravaganza, “Thunderbolts,” will be doing this weekend at the box office. On Thursday, the film earned $11M in previews, that’s $1M less than what “Captain America: Brave New World” did in February.

Here’s a Vanity Fair first look at Oliver Hermanus’ “History of Sound,” which is set to compete for the Palme d’Or at Cannes later this month. The film stars Paul Mescal and Josh O’Connor.