As always, a few titles pull double duty between Lido and the Rockies. Noah Baumbach’s “Jay Kelly” will be stopping in after premiering at Venice just a few days prior.

After years of rumors and cryptic social media posts, we’re finally getting a glimpse, albeit a very faint one, at Vince Gilligan’s long-brewing Apple TV+ series.

George Miller’s “Mad Max: Fury Road,” arguably the defining film of the year, blew up expectations of what an action film could be. It was pure kinetic cinema, a two-hour chase sequence with subtext and heart.

The 27-year-old actor, whose career seemed to be on the rise, with roles in “Empire of Light,” “Lovers Rock,” and “Eddington,” was charged by the Metropolitan Police.

Zach Cregger (“Barbarian”) revealed he wrote a spec script set in Gotham, which he described as “the best thing I’ve ever written” and something he hoped to one day discuss with DC/WB

Zhao returns with “Hamnet.” Many expected it to bow at Venice, but I had my doubts, partly due to how the film tested with audiences and some mixed early word-of-mouth from fellow journalists.

Early signs point to a strong debut for the MCU reboot, with the film raking in a very healthy $24M from Thursday previews alone.

As reported, the long-delayed Michael Jackson biopic, titled “Michael,” finally has a release date, but don’t expect a full portrait of the King of Pop just yet.

“Civil War” breakout Cailee Spaeny is in talks to reteam with director Alex Garland on his next ambitious project.

Ang Lee’s “Old Gold Mountain” has quietly pushed its production start date. No word yet whether Emmanuel Lubezki is still attached.

It’s called “Spinal Tap II: The End Continues,” and it’s a sequel to the 1984 comedy classic. Bleecker Street recently acquired the rights to Rob Reiner’s film and set up a September 12 theatrical release date. We now have a trailer.

The runtimes for most of the titles screening at the 82nd Venice Film Festival are starting to pop up. I’ll continue to edit this page as they come along.

Warner Bros. has decided that the best way to market Paul Thomas Anderson’s $150+ million “One Battle After Another” is… by putting it in Fortnite.

To mark the “occasion,” Prime has released a trailer, accompanied by a short description that reads: “Ice Cube fights aliens to save his family and the world.”

Only Trey Parker and Matt Stone could sign a $1.5 billion deal with Paramount and then immediately torch the network, and possibly the entire arrangement, less than 24 hours later.

Lionsgate has officially optioned the rights to another King title, “The Girl Who Loved Tom Gordon,” with rising “Strange Darling” filmmaker JT Mollner set to write and direct.

The trailer for Park Chan-wook’s “No Other Choice” has officially been released by Neon. An inevitable Venice Film Festival premiere seems imminent

Ilya Naishuller, best known for “Hardcore Henry” and the Bob Odenkirk-led “Nobody,” has officially stepped in to direct “Road House 2.”

Clint Bentley’s “Train Dreams,” a Malickian drama about a railroad worker who lives an isolated life, was acquired by Netflix in later January. The deal was reported to be in the $10M range. A trailer has been released for Bentley’s film.

It’s becoming more and more likely that Gilliam has directed his final film. As much as he remains creatively restless, the system no longer seems built to support someone like him.