Interestingly, several perennially acclaimed titles from the NYT list — including “Moonlight,” “Get Out,” “The Social Network,” “Brokeback Mountain,” and “Children of Men” — are nowhere to be found.

To the surprise of absolutely nobody, presales are atrocious for this doc, which Amazon/MGM is giving an exclusive theatrical run on January 30.

Sure, why not? Universal and Oscar-winner Jamie Lee Curtis seem to believe there will be an audience for this one.

Remember when CGI felt like pure magic? Think T-1000 in ‘Terminator 2,’ or the dinosaurs stomping through “Jurassic Park.” Those effects knocked our socks off in the ‘90s.

In the last 20 years, Spielberg has transitioned from an exciting, daring filmmaker to an expert craftsman producing “mature,” old-school crafted movies.

Kazakh‑Russian filmmaker Timur Bekmambetov — perpetrator of that “Ben‑Hur” remake — is back with “Mercy,” starring Chris Pratt, Rebecca Ferguson, and hitting theaters this Friday.

It’s been a long, silent stretch since Lee Chang-dong’s “Burning” lit up Cannes in 2018. However, the revered South Korean filmmaker is now readying his return.

One of the more intriguing mysteries of the 2026 movie season has got to be Tom Cruise’s role in Alejandro G. Iñárritu’s “Digger.” What do they have in store for us?

I just have a bad feeling about this one, and that’s despite Travis Knight’s involvement — he’s the director behind “Kubo and the Two Strings” and “Bumblebee.”

For months now, James Gunn has been trying to keep it a secret who is writing his DCU’s next iteration of Batman, “The Brave and the Bold,” but now we have a name.

We have just started the movie year, but Deadline’s Justin Kroll is already teasing us about a major 2026 Oscar contender.

This is an impressive launch for a film with a $100M budget and marks Netflix’s strongest movie debut since last summer’s “Happy Gilmore 2,” which drew 46.7M views in July.

Ford’s first film in over 10 years has started production in Rome. A 10-week shoot is expected, with wrap happening sometime in late March.

Charlie Polinger impressed many with his debut, “The Plague,” a visually audacious and thematically unflinching descent into the psychological torture of being a bullied teenager.

Amy Adams, a six-time Oscar nominee, is a talented actress — I’d go as far as to say she’s reached greatness a few times in her career, but lately she’s been in a bit of a slump.

The transaction’s overall valuation remains $82.7 billion, and the changes are widely seen as the reason shareholders are now moving more quickly toward a vote, slated for April 2026.

McCarthy, an actor-turned-director, of course helmed the 2015 Oscar winner “Spotlight,” and also directed three indie gems: “The Station Agent,” “The Visitor,” and “Win Win.”

The Berlin International Film Festival has announced the titles selected for the Competition of its 76th edition, running from February 12–22.

“Crime 101” was stamped with an R rating by the MPA — and more intriguingly, I’m hearing the film clocks in at a hefty 145 minutes. Considering the novella it’s based on is just 50 pages long, they’ve really stretched this story.